Cast Announcement: Playmates Illawarra 2013

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THE PLAYERS 2013

We are very excited to announce the cast of this year’s Playmates, the eighth annual improvisation challenge bringing together six different theatre and entertainment groups in the Illawarra.

ROO THEATRE  (Defending Champions 2011-2012)

Daniel Stefanovski (Captain)
Adam O’Brien
David Rienits
James Poole

THE DRAMA STUDIO  (Grand Finalist 2012)

Evan Kerr (Captain)
Madeleine Diggins
Martin Field
Matt Latham

STANWELL PARK ARTS THEATRE

Kelly-Maree Michael (Captain)
Adam Wade
Sophie Mathieson
Reece Mathieson

UNIVERSITY

Rebecca Hurd (Captain)
Billie Scott
Lisa Omodei

WOLLONGONG COMEDY

Stu MacPherson (Captain)
Adam Armitt
Craig Gnarly Gregory
Will Thomas

MOONBURN PRODUCTIONS

Dr Houston Dunleavy (Captain)
Margaret Dunleavy
Jen Jackson
Matt Sandford

Meet the Players! Houston (Moonburn), David (Roo) and Rebecca (University)

 

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 MEET THE CAST!


Three Actors from Playmates Illawarra discuss the upcoming evening of improvisation madness. Dr Houston Dunleavy (team Captain Moonburn Productions), Rebecca Hurd (team Captain University Faculty of Creative Arts) and David Rienits (Roo Theatre)

Why did you chose to perform in Playmates Illawarra?

Houston: I have been involved as a judge in the past and thought it was a great opportunity to promote live theatre in the Illawarra.

David: Because these games are just what I do every day. Particularly my apartment full of uni students often joins together for a moment of song, dance or carefully designed jokes that flow out of nothing. Being a comedian, a writer and a tactician makes a fun comedy-off the best place to be.

Rebecca: After representing the university in 2011, I was extraordinarily excited when the opportunity arose again. My experience is that it leads to an unnatural amount of fun, new friendships and a healthy dose of competition. Even though the University came second to last when I last competed, it has only added to my determination to prove that the UOW team is a force to be reckoned with.


What Games do you hope you get on the night?

Houston: Opera, Poem, Endowments.

David: Any that involve me … and then some.  Any game where we are given something awesome to go off. There is nothing better than ridiculous stimuli,  which you would think creates an impossible task for us, but it doesn’t. It’s much more fun when we are issued a challenge, because then we are forced to rise to it.
We want to get the weird stuff. In training there was a scene in a submarine that had a horse for a captain and a giant squid as a romantic interest. So we don’t want ‘You’re in a supermarket, shopping’ we want ‘You’re trying to catch bunnies by making carrot-noises in the long grass … while that grass is catching on fire.’

Rebecca: Scene without question is my personal favourite, but only because I’ve been practicing. I think my team, however, would prefer slow motion commentary. We have such a strong physicality in our team that we always bring about roars of laughter from on lookers when we play this.

What Games do you hope you DON’T get on the night?

Houston: Guide.

David: The singing games. Mainly because we smashed them the last year, but everyone is expecting us to do it again. I’m not saying we won’t if it comes up, but we’ve got an upped pressure now. Prepare for voice pops and lots of humming, whistling and freestyle dancing as we try to come to terms with what line comes next and what it needs to rhyme with.

Rebecca: I really hope we don’t get Opera. We have some good singers in the team, however it was the game that lead to our downfall last time I was involved, so I would rather avoid it.

Are you Nervous?

Houston: Of course! imminent execution concentrates the mind wonderfully!

David: I learnt a long time ago that nervousness equates to fear. And I have a beard.

Rebecca: Extremely. You’d be crazy not to be! To create interesting dramatic scenes or songs with no time to prepare really slams on the pressure. That said, there’s generally always someone looking sillier than you, and even if you do look the most ridiculous, that’s not always a bad thing.

Why should people come and watch the show?

Houston: They will discover the true depth of talent in the region, let them get away from the electronic media.

David:  If you’ve seen something similar before, you know why you need to come. If you haven’t, then come enter a world where the audience matters, we entertain you like standup comedians (which some of us are) but need to think quick because we are improvising. We need your help against those pesky judges and we need to make you laugh because that’s what we love doing and also we feel a lot less like dills when we are getting the giggles from an audience who are enjoying themselves.

Also: freaking charity!

Rebecca: People should come and watch the show as, most importantly, it’s just a tonne of fun! It leaves everyone in fits of laughter and it’s more entertaining than anything you were planning to watch on TV.

Reflections In A Sunday Mirror selected for Short+Sweet Sydney Top 80

Black Box Theatre is very proud to announce that Reflections in a Sunday Mirror, its submission to Short+Sweet Sydney, the world’s largest short play festival, has been successful and will appear in the Top 80 early in 2014 at the King St Theatre, Newtown.

Written by award-winning playwright Maree Teychenné, this chilling music drama will be directed by Short+Sweet Silver Artist, Luke Berman. Composer Steven Capaldo has written a haunting and equally chilling score for the work and will now take on the role of Musical Director.

Reflections in a Sunday Mirror is an abstract piece which weaves performance poetry with music and the spoken word. It’s built around three different, unrelated poems: Bare Trees, Identity Unknown and Treacle & Stars (Third Prize in the Second BraVado International Poetry Competition, New Zealand 2005).

The very talented Rebecca Wall plays Jacqueline – a cabaret performer and prostitute who’s full of hatred and sorrow since the Nazi invasion of her beloved native France. Set inside the dressing room of a cabaret café which also serves as a brothel for Nazi officers in occupied France, Reflections In A Sunday Mirror is a unique and gripping piece of ten-minute theatre that is not to be missed!

 

2014 Season Update: Sydney Premiere of Trainspotting and Reflections In A Sunday Mirror

Black Box Theatre is currently finalising plans for its Sydney premiere of TRAINSPOTTING (adapted by Harry Gibson from Irvine Welsh’s novel). Directed by Luke Berman, TRAINSPOTTING will open its season at the King Street Theatre, Newtown, in April/May 2014. Black Box Theatre is also negotiating with several venues in Wollongong and Canberra for an extended tour of this bold and gripping drama. Also, stay tuned for Black Box Theatre’s submission to Short+Sweet Sydney with Maree Teychenne’s chilling music drama Reflections in a Sunday Mirror. This will also be directed by Luke Berman with musical direction and composition by Dr Steven Capaldo.

Black Box Theatre is also shortlisting other creative works for 2014, including Think Tank, Deb Mulhall’s comedy Hell’s Belles, 24 hour Theatre, Playmates Illawarra and Playmates Western Suburbs.

Stay tuned.

Playmates Companies Announced for 2013

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Black Box Theatre is proud to announce the participating companies for the eighth consecutive Playmates – the Illawarra’s annual one-night-only comedy sensation which sees six theatre and performance companies join forces to celebrate and promote the strength and diversity of theatre in the Illawarra.

Bookings are now open through the trybooking website, and reservations can be made by email at bookings@blackboxtheatre.org. The website reservation form will be available soon. If you have been involved with any of the following companies, email info@blackboxtheatre.org if you would like to be in their team and Black Box Theatre will forward your interest to the relevent company liaison officer(s).

This year’s teams are…

ROO THEATRE (2011-2012 Champions)
STANWELL PARK ARTS THEATRE (SPAT)
UNIVERSITY OF WOLLONGONG FACULTY OF CREATIVE ARTS
THE DRAMA STUDIO @ IPAC (Grand Finalists 2012)
WOLLONGONG COMEDY
MOONBURN PRODUCTIONS

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Production Roles Needed – Playmates 2013

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Playmates Illawarra has been running for seven years bringing together different theatre groups on the South Coast. To date, it has promoted over nine theatre groups since its inception and given over 100 local actors the challenge of performing improvised scenes in the playmates arena.

 The production is a promotional vehicle for participating theatre groups, with all proceeds of Box Office going to local charity organisations. It is held at Wollongong City Diggers Club at the Owen Theatre and this year will take place on Saturday 9th of November for one night only.

Black Box Theatre is seeking looking for several roles to assist in staging this year’s production. If you are interested in being involved please email Luke Berman at luke@blackboxtheatre.org.

Production Crew

We are seeking several volunteers who wish to gain experience in the technical side of Playmates. As Playmates is a fund raiser for charity, all roles are voluntary.

We are looking to fill the following roles:

  • Production Manager / Front of House Manager
  • Stage Manager
  • Vision Operator (Projector Operator)
  • Lighting Operator
  • Follow Spot Operator
  • Runners
  • Front of House / Box Office

 

Production Manager

Production Manager will work closely alongside producer Luke Berman in staging this year’s Playmates Illawarra. The production manager position is a volunteer training position with a view of becoming a regular member of Black Box Theatre Illawarra/Sydney.

 Production Manager will provide administration assistance in the lead up to the production and will gain experience in program publication, booking procedures, liaise/network with several independent theatre companies/cast/crew, marketing/promotion and assist in the running of the production and leading front of house.

We are seeking an enthusiastic, open minded individual who is looking to gain experience in event management, theatre production, or arts administration. Production Manager will receive a detailed individual evaluation in post production as well as a professional reference. Strong written and oral communication skills are needed, as well as a friendly and professional attitude.

 
Stage Manager

The Stage Manager of Playmates is a very fun role suitable for someone who is looking for their first crack at stage management. Primarily, the Stage Manager will be responsible for supervising the actors, giving call times, and will be on-call during the show to assist hosts in carrying out rules of the game. For example, several games require a selected actor to leave the stage while the audience provides their team the improvisation challenge. The Stage Manager will escort and ensure that the actor can not hear. Stage Manager may also need to provide assistance with microphones during the show.

This role is very easy and should be a great deal of fun. However, good presentation and friendly supportive “can do” attitude is essential. Actors will need to be treated as VIP’s.


Vision Operator

This is an important role which requires an operator confident in the use of Microsoft Powerpoint as well as good concentration and anticipation of on stage events.

The City Diggers projector will be used with the on stage projector screen and will be used as the games board. This will enable the actors and the audience to see which games are able to be played at any point in time as well as serve as a visual promotion of the theatre companies preshow, interval and after the production.

The Vision Operator will work alongside the Producer and Production Manager in the creation of the power point presentation prior to the production


Box Office/Front of House Volunteers

We require several trustworthy and bubbly individuals to meet & greet audience members and man the Playmates Box Office. Good money handling skills are needed as well as professional presentation. Box Office and Front of House volunteers will report to the Production Manager and will need to ensure that the correct takings are accounted for. Once the show has started, Box Office staff will be able to enjoy the show!

 

Please don’t hesitate to forward any questions to Luke, or if you think you would like to contribute in any other way we would love to hear from you!

regards,

Luke Berman
Producer – Playmates Illawarra
luke@blackboxtheatre.org

 

News Update: Trainspotting and Renaissance Theatre

Black Box Theatre’s anticipated production of Trainspotting at Wollongong’s new theatre development Renaissance Theatre Playhouse has been delayed indefinitely.

Unfortunately there has been ongoing delays with Renaissance’s plans to open their doors at the Swan Street premises and at this stage Black Box Theatre does not expect this development to proceed as planned by the theatre owner. We appreciate that things do not go to plan, and we wish Shane Chambers all the best luck with his continued efforts to create a new performance space.

Black Box Theatre’s vision of creating an independent theatre hub for the Illawarra region is continuing through other relationships, and we will keep everyone informed when new information is available.

Trainspotting will be delayed as a result of the theatre space delays, however director Luke Berman has started negotiations with other venues. Stay tuned for more information.

Improvisation Mayham in Stanwell Park

Improvisation Games Fun Night – Stanwell Park Arts Theatre

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Stanwell Park Arts Theatre (SPAT) President Wayne Turner ups the ante and SPAT’s Theatre Games Social Evening hosted by Black Box.

Produced by Wayne Turner, Stanwell Park Arts Theatre
Hosted by Luke Berman, Black Box Theatre
Saturday 13th April 2013 at CWA Hall Stanwell Park
Photography Courtney Williams

Saturday Night, Black Box’s Luke Berman hosted an Improvisation social evening for the Stanwell Park Arts Theatre, long term participants of the annual improvisation hit Playmates Illawarra.


With a great turn up to support, a great night was had by all and everyone who attended braved the stage to have a crack at one of the most intimidating performance styles around – improvised theatre.

With no script to rely on, guests were thrown in the deep end with 1, 2 and 3 minute challenges where they had to create brand new songs, poems, as well as create brand new scenes, including an adaption of Jaws in the style of Shakespearean Tragedy.

Thank you to everyone for coming to support and to Wayne Turner for inviting Black Box to host the evening.

 

Hayaati Advances to Short+Sweet Sydney Gala Finals

Judges Vote Hayaati as Best Production
Short+Sweet Sydney – Week 6 at the King St Theatre

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– Eliza St John and Luke Berman

Dania Nour’s drama Hayaati (My Life) performed to Short+Sweet’s first sell-out season of 2013 at Sydney’s King Street Theatre in Newtown last week. Throughout the five performances, judges and audience voted for their favourite plays of the week, with Hayaati finishing the week fourth in Audience Votes and being awarded Judges Choice, first with 10 votes. This sees Hayaati advance to the high profile Gala Final at the Everest Theatre at Sydney’s Seymour Centre March 22-23.

Book your tickets to the Gala Finals Here

September 15th 2012: An American film ‘Innocence of Muslims’, that portrayed the prophet Muhammad as a womaniser and paedophile triggered angry protests in the Sydney CBD. In turn this triggered abusive and threatening comments through social media, which saw the creation of Facebook pages that were clearly ‘against muslims’ and ‘against the Hijab’ getting much attention and praise. Hayaati is the story of two people affected.

Hayaati  focused our attention on bullying, bigotry and racism and how we are all simply different edges of the same coin (50 cents in Australia).
“This was a very worthy subject and obviously Dania was ‘writing about what she knew about’”
– Allan Chapple, Sydney Arts Guide

 

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‘The Commuter’ impresses at Short+Sweet Sydney

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Geoff Sirmai, Adam O’Brien, Charlotte Connor and Nik Nikitenko (front) star in Trevar Chilver’s ‘The Commuter’ directed by Luke Berman

The Commuter – written by Canberra playwright Trevar Chilver impressed audience and judges at week four of Sydney’s Short+Sweet – the world’s largest short play festival at the King Street Theatre, Newtown.

Directed by Black Box Theatre’s Luke Berman, The Commuter starred Adam O’Brien, Geoff Sirmai, Charlotte Connor (assistant director) and the very talented and adorable Nik Nikitenko who turned 9 years old during rehearsals.

The Commuter received recognition at the week’s presentation evening, being awarded runner up best production behind the incredible The Sum of Your Experience and third most popular play as voted by the audience. Congratulations to all!


Review from Sydney Arts Guide Review by Bronwyn Fullerton

” “The Commuter”, cleverly written by Trevar Chilver and directed with energy and humour by Luke Berman, involves a chance meeting between a commuter on his way home, a mysterious young boy, his mother and an annoying American tourist.  The commuter (played with warm honesty by Adam O’Brien) confides wholeheartedly in the audience about his conflicting thoughts, fears and racism, whilst juggling with his intruders, the lost young boy (played by the talented Nik Nikitenko), and the funny, camera hugging tourist (played hilariously by Geoff Sirmai).  ”

Click here to read the full review on week 4, Short+Sweet Sydney Top 80

Click here to check out Short+Sweet Sydney’s website